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close reading
Close reading describes, in literary criticism, the careful, sustained interpretation of a brief passage of text. Such a reading places great emphasis on the single particular over the general, paying close attention to individual words, syntax, and the order in which sentences and ideas unfold as they are read.
The technique as practiced today was pioneered (at least in English) by I. A. Richards and his student William Empson, and was then further developed by the New Critics of the mid-twentieth century. It is now a fundamental method of modern criticism. Close reading is sometimes called ''explication de texte'', which is the name for the similar tradition of textual interpretation in French literary study, a technique whose chief proponent was Gustave Lanson.
Close reading can be compared/contrasted to the concept of distant reading, which Kathryn Schulz explains, in an article about literary scholar Franco Moretti, as "understanding literature not by studying particular texts, but by aggregating and analyzing massive amounts of data."〔("What is Distant Reading?" | New York Times article by Kathryn Schulz June 24, 2011 )〕
==Background==
Literary close reading and commentaries have extensive precedent in the exegesis of religious texts, and more broadly, hermeneutics of ancient works. For example, Pazand, a genre of middle Persian literature, refers to the ''Zend'' (literally: 'commentary'/'translation') texts that offer explanation and close reading of the Avesta, the sacred texts of Zoroastrianism. The scriptural commentaries of the Talmud offer a commonly cited early predecessor to close reading. In Islamic studies, the close reading of the Quran has flourished and produced an immense corpus. But the closest religious analogy to contemporary literary close reading, and the principal historical connection with its birth, is the rise of the higher criticism, and the evolution of textual criticism of the Bible in Germany in the late eighteenth century.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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